Showing posts with label Quilting for a Cause. Show all posts
Showing posts with label Quilting for a Cause. Show all posts

Saturday, April 3, 2010

Happy Easter

The pretty pattern on the egg is the design I had made on this donation quilt a number of years ago.  All the fabrics are cotton plisse, except for the diagonal sashings.  They were remnants leftover from garment making.

Wednesday, March 31, 2010

Alzheimer's Auction & Sale

The April Slow & Silent
Quilt Auction To Fight Alzheimer's
Starts April 1st


All profits fund Alzheimer's research!

 

Wednesday, March 10, 2010

Scrappy Postcards

There was enough of the sewn together strips that I played with yesterday for the foundations of two postcards.

Actually, I made this one before I made the larger piece, "Fading Memories II", to see how the paper napkin leaves would work.  This is the first time I've incorporated paper in any quilt.  It definitely won't be the last.  The acrylic medium coating makes the paper strong, pliable and resistant to moisture.
It's difficult to tell that the background for this one is cut from the same hunk as the leaf pieces.  Part of it is the overcast hue from the color of the tulle that's layered on top.  This one is a bright pink while the other postcard is gold and the bigger piece is a dark brown.  Silk flowers and green squiggly yarn decorate this one.  The centers of the flowers have hand and machine embroidered centers.

Both of these postcards are destined to the Alzheimer's Art Quilt Initiative sale, too.

Tuesday, March 9, 2010

Playing With Scraps

All the trimmed off edges from my "ortwork" pieces get saved.  Today I decided to get out the bag they're stored in to play with those cut-offs.  There are some from the prairie flower installation piece,  my self-portrait, this month's "Interpret This" project,  the Rockie Mountain lake piece plus others that I've forgotten what they're trimmed from.


The strips got laid out and moved around until the arrangement looked good.




This is the layout that pleased me.  I liked the flow of the lines as well as the distribution of colors and patterns.  The already quilted pieces were butted together and zig-zag stitched by machine with mono filament thread.

I decided to couch yarns in a vertical pattern to bring even more cohesiveness to the overall design ... and had begun doing that before remembering that I wanted to document my process with photos.  I took a picture before more than two rows of yarn got stitched on.


I thought back to the piece, "Fading Memories", that I had recently completed and was inspired to use brown and beige yarns to go for the effect of tree trunks.  The colors were beginning to look like shafts of light, sky, and "stuff" in the background.

Then I remembered that I had been saving this paper napkin with the gold printed leaves.  They would be interesting leaves for this pieces.

I mixed a bit of fine gold Perle Ex Pigment with acrylic medium and brushed it on the surface.  This strengthened the tissue and will make it impervious to moisture, as well as give it a bit more shine.




After cutting out the paper leaves I recalled that I had a stash of leaf skeletons tucked away in a basket on a top shelf.





Here the paper napkin and skeleton leaves are arranged on the surface.
Some decorative yarns are snipped into little pieces for additional interest.  Then a layer of brown tulle was placed on top to hold everything in place.  I quilted the background with a dark mono filament thread in a bark-like pattern.  The paper leaves are quilted with a variegated gold thread.  The last thing was to square it up and finish the outside edge with couched yarns.

"Fading Memories II" (10"x 8")
Well, finishing the edges was almost the last thing.  LuminArte paint was added to the leaves to give them a bit more shading and shimmer as well as to make the leaf skeletons more prominent.  I can see now that I need to go back to add some of that gold shimmer to the white spots.

This piece will be my first donation to the Alzheimer's Art Quilt Initiative.

Tuesday, February 16, 2010

"Home Is Where the Heart Is" House Block

I spent Sunday making seven of these blocks in response to Beena's call for help.
Making them also served for me to honor a friend who died several years ago. Her husband recently gave me a small stash of fabrics that she had collected to make valentines. You may recognize all those, except for the sky, as being from the late 70's or early 80's. They are perfect for this block and my friend would've loved them. All the while they were being sewn, "Home is where the heart is" kept running through my head.

I used the house block design that Beena made up. She has written out instructions on her page.
However, the strip that contains the roof line is full of tricky angles that I prefer to accomplish with paper piecing.
Several years ago I discovered a trick for easily getting the fabric pieces in the correct position for this technique. This discovery allowed me to see exactly where each fabric needed to be placed PLUS directional prints and the grainlines could be controlled.

Here the seamline falls along an edge of the diamond pattern in the roof fabric. Also, the outside edges of the sky triangle are on the straight of the grain.
It's necessary to have a way to see through the two layers of fabric and paper. A light box is best*, but a well lit window or bright lamp will work.

Fold the paper to the back along the pattern line between the piece that's already there (roof) and the one to be added (sky) to the back.

Over the light box position the seamline fold on the paper where it needs to be on the roof fabric.

Next position the sky fabric under the paper triangle pattern. The grain lines of the fabric and seam allowance can easily be seen. Hold all the layers together in this position until time to sew.

Flip open the paper foundation piece. Stitch along the pattern line. Fold the paper back again to trim the seam if necessary.


I added the peak of the house next.  The paper pattern is folded back along the seam line where the peak will be joined to the roof.

The shape and orientation of the fabric for the peak is positioned under that folded back triangle.

I leave the paper folded back until I'm right at the machine to sew the seam through all the layers. I cannot tell you how many times I've second guessed myself and sewed along the wrong line when that paper has been flipped opened before it was ready to go under the needle. After each seam is stitched, trim any excess from the seamline. Also, press the seam flat.

The whole block was constructed with the paper foundation piecing technique. As you can see, I used newsprint from the Sunday paper. I had stapled 7 layers together and drawn the pattern on the top one. Machine stitching along the lines with no thread in the needle marked the pattern lines in all the paper blocks. It's necessary to indicate either "front" or "back" on those blocks. I do that before taking each one from the pack. I also mark the outside edge of the block so I know where the straight of grain should lie. Those are the arrows you see in the photos above.

Until I discovered this sequence of folding and stitching the foundation piecing method was sooooo frustrating. There were many ripped seams and discarded fabric pieces that I had wrongly thought were the right size or shape. Also, if there were a pattern in the fabric that I wanted to showcase, getting it in the right position was a matter of luck. I was also happy to be able to control the grain line on the outside edges of the block. There are many sources that state the grain line is of no consequence for this method of piecing, but I disagree.

*There is no extra space in either of my studios for a light-box. The solution that works for me is a lamp placed under the acrylic extension for my sewing machine.
A big PLUS for this arrangement is that there are only inches between all that figuring out, folding, and unfolding and sewing the seam.

Thursday, September 10, 2009

In Rememberance of September 11th

The Smoky Mountain Quilt Guild members made this quilt in 2004. It honors the victims of that infamous day, September 11th of 2001, as well as the new found spirit of courage and unity of the American people that resulted from this tragedy.
It was created in conjunction with an exhibition of September 11th quilts at the Knoxville Art Museum (those quilts were part of the collection that was gathered immediately after 9/ll and exhibited at the Houston show by Karey Bresenhan and can be viewed in this book).

The individual blocks for this quilt were made and donated by guild members. The quilt was designed and hand-quilted in the museum gallery over several Sundays during the exhibition by SMQ members. When members were not quilting at the big frame, they were docents for the exhibition.

Following are close-up photos.
The writing around the center block reads, "The legacy of September 11, 2001 is one of strength, compassion, determination, resolve, and a new spirit. We honor the victims in NYC, Pennsylvania, and Washington DC."

The upper left corner blocks...
the top center blocks ...
the upper right corner blocks ...
the blocks on the right side ...
the lower right corner blocks ...
the bottom center blocks ...
the lower left corner blocks ...
the blocks on the left side ...

The center block is my contribution. To read how the lettering was stitched go here. To view the 9/11 quilt, "Out of the Rubble" I created go here.

Friday, May 8, 2009

Collage Mania 2009 Results

Collage Mania was a marvelous three-day art extravaganza. Thousands of people viewed the 39 pages of art on the Collage Mania site and hundreds donated to the American Cancer Society to acquire a piece of original artwork, including my donation.
Over $18,000 was raised in three days with ALL of it going to the AMC. That is pretty impressive for our fiber art online community. Kudos to all who donated art and to all who purchased it.

Tuesday, April 28, 2009

Collage Mania 2009

There are 39 pages of wonderful small art pieces that opened for viewing today. Go here for a visual feast. My contribution is a small version of the Smoky Mountain series and can be found on page 2. It was created with the same "ortwork" collage process described in my previous post.

You have the opportunity to own one of those 384 original art pieces by bidding at the online auction that begins May 5th. All proceeds from sales go to the American Cancer Society.

Wednesday, April 22, 2009

Smoky Mountain Quilts

This small quilt of the Smoky Mountains is my contribution to Collage Mania 2009 auction. It will be one of 383 quilts donated to this years Fiber Arts For A Cause to raise money for the American Cancer Society. Pre-auction viewing of all the quilts begins April 29th.
It is donated in memory of a friend who loved these mountains.

Tomorrow this quilt along with the large one I made of this same view, "Our Biosphere Reserve", will be displayed at the Cliff Dweller's Gallery in Gatlinburg, Tennessee. I will be there throughout the afternoon demonstrating the collage technique I developed using scraps of fabric.

Tuesday, February 3, 2009

Artful Undergarments

I'm tickled!!! and just have to share a couple of links about making artful things out of bras. The first one is for a good cause.
The Girls Measure Up by Jackie Price
"Members of Quilters of South Carolina have created one-of-a-kind bras for Breast Cancer Awareness. The exhibit consists of forty-nine original works of art which are unique, entertaining, humorous, and beautiful to make the public aware of breast cancer, to memorialize those lost to the disease, and to honor survivors. " Go here to see all those artful bras (2 pages) and read exhibition information.

The second is a hoot ... along the lines of making those slippers from a personal hygiene product.
Bra Bag by Carol Taylor in Wales
My friends who were gifted those slippers just may get pretty bags next year. Go here to see more photos and read about Carol's making the bag pictured above. Go here to see those slippers and get instructions for making them.

Monday, January 26, 2009

Mandala For Peace

A Million Mandalas For Peace is featuring the image of my art quilt, "Spectrum of Love" as one more mandala to radiate peace throughout the world.
Spectrum of Love - 60"x 60"
This quilt was made at the same time I created a quilt about 9/11. I felt compelled to make something beautiful and full of light and love. "Spectrum of Love" was created on my design wall next to "Out of the Rubble". The source of universal love is represented in the center. That love shines out and into each of our hearts to be radiated into the world beyond. These were my feelings about the outpouring of love, concern and help offered by people all over the world to the people of New York City as well as to each other after September 11th. During the inauguration of Barack Obama I felt that same love radiating from the crowds in Washington D.C., from posts on blogs, as well as from people and friends I've talked to.

The Million Mandalas for Peace blog is where creative individuals unite in sharing their art in the intention and awareness of peace. I was made aware of this project through my friend, Karen Bailey Earith, having her mandala posted there. Mine is number 140, so there are many more images needed to get to the goal of a million. All of the information about the project and for contributing to it is in that blogs sidebar.

To read about why I created this piece go here. The construction methods and techniques are posted here.

Monday, August 25, 2008

Sewing with Grandsons

His brother, Jackson, had created a sleeping bag for one of his stuffed animals so Jennings had to have a sewing project, too. He had lain claim to his uncle's childhood "Gizmo" (it's difficult for me to throw anything away) and decided to make a quilt for him.
One side is pieced 8" blocks and the other represents a German flag. It was up to him to figure out how many blocks were needed and then to choose twelve fabrics for the quilt. I cut them out and he designed the quilt and pinned ...
and sewed them all together on the Pfaff 360. This machine is set up on a low side table in my studio exclusively for children to operate.
The quilting was done on the much newer Pfaff Creative 7530. Jennings found it easier to control the quilt by standing rather than sitting at this machine.
His cousin, Winston, didn't have a project in mind but he really wanted to sew and was most willing to help me out on another project. I have a stack of blocks that need binding for Caron's "and still counting" project.
Winston bound several blocks including one he had stitched Colonial knots onto last summer.
I sure wish he, or someone else, would stick around long enough to bind them all so they could be mailed off to Caron. I like the stitching knots in a spiral pattern on the blocks, but not the binding part.

Sunday, May 4, 2008

Honoring My Friend

My friend recently lost her battle with cancer. Gayle was an accomplished artist in the medium of textiles. She took up quilting late in her creative life when her back gave out working the looms. She was well known in the world of weaving. Her tapestries, woven designer clothing, and art quilts are "out there" in many people's lives and homes ... including mine. I made a video of the few photos that I have of her multitude of quilts (many of them award winning) to honor her.


To honor Gayle's hope and courageous battle I created this piece that is up for auction at the Collage Mania Fiberart For Auction Monday and Tuesday, May 5th and 6th.
Hope - 11"x 8" (2008)
It is just one of 235 collages for this Fiberart For A Cause fundraiser for the American Cancer Society. Mine is on page 14. One-hundred percent of the proceeds goes to the ACS.

PS: Over $8000 raised on Monday.
Over $4000 raised on Tuesday.
When it was ALL tallied up, over $13,000

Monday, April 28, 2008

Collage Mania

Monday, May 5, 2008 starting at 9 a.m. CST
All collages available for a minimum donation of $80.

Tuesday, May 6, 2008 starting at 9 a.m. CST
All collages available for a minimum donation of $40.

Viewing of the 235 donated art pieces from over a hundred artist world wide to raise funds for the American Cancer Society begins today. There are 21 pages of remarkable work to be seen here. I recognize many of the donor artists names from blogs I read. My donation is on page 14. I wrote about it here.

Thanks to the generosity of the donating artists, 100% of the proceeds are donated directly to the American Cancer Society through Fiberart For A Cause. For all the details on how to participate in Collage Mania, click here.

Collage Mania will remain indefinitely on Virginia A. Spiegel's website as a resource for collage artists.


Tuesday, April 1, 2008

Collage Mania 2008 Contribution

Virginia Spiegel had put out a call for Fiber Art For A Cause, a fund raiser for the American Cancer Society. All donated collage pieces will be auctioned Monday, May 5th. Here's my donation made in honor of my friend, Gayle Lowndes, who lost her battle with Cancer in early March of this year.
Hope - 10"x 8"
You may recognize the design elements from "Come With Me to the Kasbah". It is composed from the pre-quilted pieces that were not used in the large piece.

I also made an ATC for Julie who is presently adding her creativeness to my "Exquisite Corpse" piece. It is double sided.

Sunday, October 28, 2007

Home From the Mountains...and the PIF Result

We just arrived home from our weekend with friends up in the Smoky Mountains. This is the view we enjoyed from the rented house that is near the top of a very big hill.
There was a bit of stitching going on. Six more blocks for the "and Still Counting" project were stitched by Susan, Virginia, and me.Here are a few of the photos I took on the Motor Nature Trail that loops out of and back into Gatlinburg. It's a one-way narrow road over five miles long and the next best thing to actually taking a hike. There is the option to park and take short hikes off the car trail.


All of the photos were taken from our slowly moving car. I set my camera to "action" mode for a fast shutter speed. The next two were taken through the sunroof.


I thank all of you who responded to the Pay It Forward artshare meme. The first two participants, Deb and Amy, had responded before I left home. The third is Koroda. Thanks to all the rest of you for leaving comments and I'm sorry for any disappointment about not getting to partake. I hope each of you continue to pursue a PIF in which to participate.